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The Mothman's Photographer II

Title: The Mothman's Photographer II
Author: Andrew B. Colvin
Reviewed by: Nick Redfern

Last night, I finished reading Andy Colvin's book, The Mothman's Photographer II. This is one of those books that is essential reading for those of you fascinated with Mothman.

Somewhat appropriately, and like the Mothman mystery itself, the book is full of all sorts of twists and turns, dark and disturbing scenarios, contains as many questions as it does answers, and definitely defies convention.

The book basically tells the very personal story of Colvin's interest in, and obsession with, the Mothman; something that began in his childhood in the sixties when he and his friends constructed a "shrine" to the Mothman - and after which strange and bizarre things began happening to Colvin, to his family, and to those around him.

In many ways, Colvin's book is more mind-bending than John Keel's The Mothman Prophecies. But this is a good
thing: rather than simply go over old ground, and recount the original story, Colvin describes for us how the Mothman personally affected, manipulated, and possibly guided, his own life experiences, right through to the present day.

And it's written in an appropriately unconventional style too: via interviews, transcripts, personal comments and thoughts, and more.

For those who view Mothman as purely a
crypto-zoological puzzle, you'll find yourselves at odds with Colvin, who places the creature in a very different category.

Essentially, Colvin views the Mothman as being akin to the Garuda - the majestic bird-like entity of Buddhist and Hindu mythology. Colvin's view is that the presence of the Mothman at Point Pleasant, West Virginia bridge-collapse of 1967 (as described in Keel's book) was not in any way sinister.

Rather, Colvin sees the Mothman/Garuda as being basically a benign entity, and one that surfaces from its strange realm of existence at times of peril and strife, and when things are distinctly ill with the world. Part-helper, part-guide, it's inextricably linked with us - but generally for the better, Colvin believes.

But it's also a creature whose presence should not be taken lightly - nor should the fact that the creature's presence at Point Pleasant may have been tied in with a whole host of other activity, including classified government projects in the fields of mind-manipulations and psychotronics, synchronicities, the Men in Black, dark and tragic prophecies, the world of big-business, the military-industrial complex, and much more.

The Mothman's Photographer II is a fantastically strange trip into a world without rules, where just about anything goes, and where convention is thrown out of the window. But it works - and it works very well.

If you read the book, you are likely going to come away with a new view (or, at the very least, a modified view) of Mothman, thanks to a man who had the vision and guts to follow his instinct and present his data, ideas, theories and thoughts to those willing to listen.

And, given the fact that it seems the nature of Colvin's life was almost pre-destined from the day he first immersed himself in the world of the Mothman, perhaps he was meant to write the book. And perhaps we're all meant to read it. If so, Colvin has done us a great service in providing a book that is unique, unusual, riveting reading, and beyond thought-provoking.

Read and prepare to have your mind blown, bent, reorganized and, if you get the message, elevated, too.